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Can’t keep up with college monikers anymore
kid go to Houston, “ which one? Then there is Austin
College, which is in Sherman and Stephen F. Austin State University
in Nacogdoches. Students say they attend “Georgetown,” which is
in Washington, D.C., but some people think the student means Southwestern
University, which is in Georgetown, Texas.
One name we can never get right is Texas Woman’s University
in Denton. The school was opened in 1903 as the Girls Industrial
College, then changed two years later to College of Industrial Arts
or CIA. In 1934, it became the Texas State College for Women, or
TSCW, and the students were known as “Tessies” (their official nickname
is Pioneers). In ’57, the name was changed to its present Texas
Woman’s University, singular possessive, and no one ever gets it
right. Even the state highway signs on the interstate and in town
read “Texas Womans University,” without the apostrophe.
Private schools are equally confusing. We have Baylor
and Mary Hardin-Baylor and Hardin-Simmons. Cars with an “ACC” decal
on windows could have meant either Austin Community College or Abilene
Christian College. Fortunately, the latter changed “College” to
“University,” no doubt in an attempt to show up Dartmouth. I say
let us forget about all the UT-at, A&M-at. Come on, folks, UT at
who? A&M at where?
Good and fine schools such as East Texas State, Texas
A&I and Texas Western should stick to their original names and continue
to turn out graduates proud to hang that diploma on their bar stools,
just like their fellow Longhorns and Aggies.
Our new governor, Rick Perry—the first Aggie governor
in the history of Texas, God help us all—says his top priority is
higher education. As he dwells with the universities’ budgets and
tenured professors who think Stalin got a bad press, can he return
us to our original names? It would not cost a cent, except for the
sign painters.
As for changing the name of Southwest Texas, my father
said he always wanted to be a cheerleader at that school, so he
could lead a cheer: “Rah, rah, rah. Southwest Texas State Teachers
College Bobcats!” By the time he could finish with the cheer, the
game would be over.

80 CANDLES AND MANY FRIENDS—Tooanoowes gathered recently to celebrate
the 80th birthday of Jane Norris Treadway. Pictured are: standing
left to right, Dorcas Stewart Dowlin, Marguriette Cato Dismuke,
Kay Treadway Norman, Mae Merrick Pickens, Ethel Treadway Gleaves,
Helen Hatchett Simpson, Mary Black Morgan, and Kathleen Jennings
Foster. Seated are Jane (left) and Rachel Treadway Lafferty.
Debora Schubert Lytle creates canvas legacy of Dr.
Jim Byrd

On what would have been his 76th birthday, the late
Jim Byrd was honored by several of his colleagues and friends.
A portrait of the late A&M-Commerce literature and
languages professor was unveiled during a program held in his memory
on Valentine’s Day.
The portrait by alumna Debora Schubert Lytle (gesturing,
left) will hang in the Hall of Languages where Byrd spent a career
that spanned more than 30 years. The likeness shows Byrd, honored
in 1995 with the title of Professor Emeritus, carrying his mail,
which many who knew him remember him often doing.
In painting Byrd’s portrait, Debora said she was given
a photograph of him to use. The portrait, meticulous in detail,
has a smiling Byrd carrying a copy of The Gilmer Mirror, The Commerce
Journal, an East Texas State University letter, and a book.
The newspapers he carries are significant. Byrd’s
friend, Sarah Greene, also a longtime member of The Texas Folklore
Society, is publisher of The Gilmer Mirror, and Byrd wrote columns
for The Commerce Journal up until his death.
Alumnus crafts super hero

Gorden Thomas (BS ‘59, MS ‘73), former director of Creative Services
at the University, has for more than a year worked full time on
this statue of World War II hero Audie Murphy at the American Cotton
Museum in Greenville, Texas. The statue, which is almost complete,
will be unveiled in September. It was commissioned for the City
of Greenville. Gordon also sculpted the statue of University founder
William L. Mayo, now installed on the grounds of the Heritage House.
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